SAC - wilma tolksdorf exhibition opening

Description: synthesis of the temporal and auditory with the presumed stasis of the architectural object. In this sense, the exhibition continues a tradition that in modern architectural terms revolves around the Philips Pavilion Poème Electronique, by Le Corbusier, Iannis Xenakis, and Edgar Varèse (1958). In comparison, Fifteen Pieces for a Soundscape - First Movement is a modest endeavour, but it explores the same vibrant interface that bears on our senses and to which architecture contributes more ...